

From packing the series’ Fast and Furious parody with unnecessary lens flares to draining a high school hallway of all its light until it feels like something out of a Scream sequel, Miller fills each episode of The Afterparty with details that ensure they stand on their own while also fitting together like perfect puzzle pieces.īen Schwartz’s Yasper and Sam Richardson’s Aniq dish out a memorable duet in The Afterparty’s standout musical episode. Thankfully, with the help of his lighting and production crews, he proves himself capable of meeting the show’s unique demands. But even with a cast as stacked as this one, the real star of The Afterparty is its director.Īs the series’ sole director, Miller is not only forced to manage a large ensemble cast but also tackle a variety of genres across The Afterparty’s eight episodes. All of them fully embody the quirky and earnest sides of their characters. Anchored by Haddish’s central performance as the inquisitive and ambitious Detective Danner, the series’ cast of suspects includes recognizable players like Ben Schwartz, Sam Richardson, Ilana Glazer, Dave Franco, and Zoë Chao. Lord and Miller’s knack for working with some of the best comedic performers in Hollywood continues in The Afterparty as well. “The real star of The Afterparty is its director.”
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The series contains much of the same stylistic inventiveness and tongue-in-cheek humor present in so many of his previous projects, despite his frequent creative partner, Phil Lord, serving only as an executive producer and one-time co-writer on the show. You’d probably be able to sense Miller’s involvement in The Afterparty without even seeing his name in its credits, though. The Afterparty counts Christopher Miller, one-half of the duo responsible for films like 21 Jump Street and The Lego Movie, as its creator and director. Sam Richardson brings heart and humor to The Afterparty with his performance as the lovelorn Aniq.
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The result is, quite simply, one of the most playfully made TV productions in years. With each narrator more unreliable than the last, new facts and versions of the night are established with each testimonial.

This level of genre experimentation means The Afterparty reinvents itself in every one of its episodes while still moving its central mystery forward. The Afterparty doesn’t just let each of its characters shine, it shows us how they see themselves in the world - even if that means one episode becomes a Fast and Furious-style action film told from the POV of a machismo-obsessed ex-husband (Ike Barinholtz).

(If The Afterparty proves anything, it’s that Schwartz and showrunner Christopher Miller need to team up for a feature-length musical.) “One of the most playfully made TV productions in years.” The show’s premiere (narrated by Sam Richardson’s nerdy Aniq) feels like a homage to a Richard Curtis-penned rom-com, another dips into animation, and Ben Schwartz’s episode adopts the style of a La La Land-esque musical. Each episode focuses on one of the reunion’s attendees as they recount their version of events to a detective (played by a reliably charming Tiffany Haddish) who intends to solve the night’s murder.īy jumping between each character’s perspective, The Afterparty takes a different approach in every episode. The Afterparty’s episodes all adhere to the same basic structure, and center around a high school reunion that ends with a pop star’s mysterious murder.
